Now that you've had a chance to play around with your tapered stroke
and practiced with it a little bit I'm going to throw in
one more exercise here that I think will be really useful
and it will tell you whether you have some good stability to your
positioning of your hand.
If I don't have the heel of my hand on here
in a stationary position, and it ends up by pivoting there instead
of the place I talked about about
we're going to just pivot our fingers on that imaginary pin
we will have some play in our stroke and we won't be able to do
what I call tracking.
We're going to go ahead and call this exercise the tracking exercise,
because I want to be able to put another stroke on top of another
stroke, and for the most part have it look like its the same stroke
but only getting a just a little bit darker. I want you to watch for that too.
It should be increasing in value ever so slightly as I repetitively
put another stroke on top of the last one. I'm going to shorten this stroke up
a little bit too.
The last one was good to be a little bit longer
it gave us the feel for sweeping on and off the paper
and kind of get that follow-through feel but I'm going to shorten
this up about 2 inches on this one. And we'll even be able to get it
down to a quarter of an inch and still have tapers on it
if we go through this whole series of exercises.
So let's go ahead and do this initial taper.
See it increasing in value? You can get a little thicker,
but for the most part it's maintaining a good tracking.
Now, what will happen if I have my hand pivoting
it would be like this. I won't be able to really count
on the direction there will be some play,
if I'm not gripping my pencil tight enough that could also
be a problem.
And I want to be able to have something
that I have a lot better control over
and these are some of the things to watch for.
Go ahead and practice this I think it would be a real good exercise
It's short, and you can do this as often as you want
to fine tune your ability to control your flow-and-grace stroke.
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