Hey everybody it is Cinnamon
Cooney, your Art Sherpa.
And today I'm so excited to be
bringing you this amazing
Bubble Witch 3 Saga project.
That's right we're going to get
to paint Stella today together.
I'm going to show you
everything you need to know to
create this project.
Guess what,
today's video was sponsored by
King makers of Bubble Witch 3
Saga.
So I get to do this
and show you everything you
need to know to create this
painting yourself.
Now you can download the game
for free if you check the
description below.
There's a link to that as well
as all the materials and
information you need to succeed
at this painting.
So get your paint get your
brushes get your game.
Come back and meet the easel
right now we're going to paint
together and fun.
So let's look at these really
fun materials that you can use
to make this great painting.
I have here a traceable.
With a graphite rubbing on the
back. This is for if you don't
draw and listen never feel bad
if drawing is not what you're
into right now.
You can always pick up that
skill later it's just an art
skill. And we provide those for
you information on where to get
the traceable is in the
description below.
I have an 11 by 14 canvas board
it's pre-gessoed, and ready to
paint. You don't need to do
another thing to it.
OK. So let's look at.
I've already put out my
titanium white my current
quinacridone magenta and my
cadmium yellow medium and I
have some acrylic glazing
liquid gloss and
using some soft body white
paint and I'm going to be using
my black gesso as a nice little
black paint.
You can use whatever you have.
I have a dobber here.
These are round dobbers and I'm
going to use this to make the
bubbles.
Other colors you'll need are
phthalo blue the dioxazine
purple, burnt sienna and of
course they phthalo green.
Listen any information that you
need about the materials.
Check the description below.
We have more information.
Always post there.
Everything is super easy for
you. Let's get started painting
the set.
I'm going to grab a nice big
brush to do my background here.
This is about an
inch and a quarter inch and a
half wide it's a number 30
bright it has some fake
filaments.
So it's K.B. real friendly to
acrylic paint that got taken
too much water.
I'm going to dip in my jar drag
off the extra And I'm going to
start by taking a little
yellow.
So I got that just on the
corner of my brush over to my
wife. It doesn't take a lot of
yellow to tinge your weight.
I'm going to use my glazing so
my paint doesn't dry out on me
too fast and then I'm going
to do the wandering
rivers are going to come about
on the left hand side
two inches up and I'm going
to make a Strokes going to
wander like a river is going to
go. Wander wander kind of
coming over to the right
towards the mid space the
canvas and then I'm going to
curve it back
and wandered off.
And that's going to be
this flowing background
that I'm going to be following
to put my magical
bubble stream on.
All right.
And we get a little more weight
if you don't have glazing
liquid or some type of way
to slow your paint down that's
OK.
It can help though because
acrylics dry really fast
and this is the fix for that.
But you can also just thin your
pain with water.
So I'm just stroking this
around saying I'm letting it be
streaky I like it to
be streaky.
It's super fun.
So just on the wide
ensue this is sort of like a
duck yellow color right.
My come back I've got a lot of
weight on my brush
and just right in the middle
of making a nice little white
streak that's going to be focal
and that's going to really help
me when I put in my bubble
stream later.
Now the next thing I can do is
I'm a load up on my yellow.
And you can see how I'm doing
that on the edge of the
bristles here.
And then I'm going to get some
quick macaroni magenta
will do those guys.
So don't get stressed out about
it.
And I'm going to come right
here
and start blending this
fabulous fabulous
wonderful magenta orange.
I really really was super
inspired by the colors
in the game.
One of the things I love about
bubble which three saga is
is that it has what I call very
high hat design sensibility
where the colors are very
bright and light and
cheerful.
And so when I'm playing I enjoy
looking at that makes me happy.
Color impacts how we feel.
I think
so that's one of the things
that I really really kind of
was inspired by when I was
doing this design so that
it would feel like
something fresh something
new but also part of her world
because you know she's kind of
utterly fabulous if
you think about it.
And am I overly invested.
Probably but when have I not
worked out completely on
something.
When has that ever happened.
I'm getting just my magenta
here and my connect magenta
into my white and again
my studio so dry.
I really have to use glazing
liquid or my paint
just start to insta dry
on my canvas.
You may have perfect ideal
painting conditions though and
just not need any.
It just really is about how
fast your paint dries.
Splinting nice
having a good time.
Making a beautiful flowing
energetic Bakare sure is a
magical space
telling you that right now
magical flying kitties
haven't seen male nationals
trapped in bubbles.
It completely appeals to me.
I have to tell you what tell
you what.
I will sit there on a stressed
day and rescue animals all day.
I'm going to load up with a
little yellow and some more
white and just make
sure I'm creating some
interesting streaking through
here so it feels
like magical fabulous cool
energy.
Let's do this
little yellow.
I'm not even rinsing my brush.
The only time you need to get
your brush back in the water
for this is if you're having
trouble being overloaded by the
color or
if it's starting to dry out.
Believe it or not paint can
start to dry and your brush and
sometimes that's a good reason
to come back
and get it wet.
One thing that I like to do is
if I'm working a big brush like
this is to come
on the edge of it should
control this and see how I'm
so whooping it around
I'm pressing pretty hard but
not too hard. You'll find when
I'm pressing in the Russian up
pressing like this that would
be too hard. See what that does
doesn't give me a lot of
control. I'm staying right on
the edge of my brush
and that some of how I get my
nice streaky ness
and flow.
Let's get some more white
and then some glazing liquid.
Here.
One of these two soft spots
seem just keeping that river
flow.
That's really nice.
I'm so excited.
Skin more pink.
I feel like it's got to be more
Pinker here. Get roping.
Let's get right into this
magenta.
Get right into that magenta.
It's gorgeous
such a rich color.
So yeah I'm going into my house
that's like my big thing with
a lot of construction where
outside my sidewalk
is kind of crazy.
And my driveway is kind of
crazy. They're fixing roads
that I can fix
up my house and the game
in it's sort of therapeutic
for me at the moment.
I'm like I will upgrade these
cobblestones.
Oh Fountain Yes.
That would be awesome.
Would I like my house to look
like Kitty.
Yes I would like my house to
look like a kitty association
here would definitely not let
me have a kitty house.
Some little things.
Just doing this here.
I want to put that white street
back there. So what I'ma do.
Zoom. Come back and get some
white
and I'm going to just make sure
that I keep
this part of the
energetic streamline.
I want to feel like a very
light river flowing through
and up at the top too.
So see I'm just getting the
white
and then
we are an.
With the background.
This should be very relaxing
for you guys and therapeutic.
I really like this a little
flowing flow
background.
OK.
So now we're going to let this
dry completely and I'll show
you how totally easy it
is. To put in a whole
bunch of colorful bubbles.
OK let me show you how you
can bubble all over your
car is a ton of fun.
This is pouncer sometimes
called the Dobber sometimes
called the pouncer.
I've seen people use bingo
daubers. It really is just a
small round sponge that you can
make a consistent shape how you
use these though the trick is
is that I like to press the.
Live with ovals at the edge
of the paint and twirl.
Can you see how I'm doing that
in a tural.
And I'm not really trying to
cover the whole sponge.
Now with the yellows
you know it can help to put a
little white
in in the Pownce
because yellow can be kind of
transparent.
And what I'm going to do is I'm
going to do a whole bunch of
bubbles up let me show you a
couple and then we'll put them
all in.
So when you're doing a pouncer
what you don't want it to be is
wet because it's going to make
a bunch of bubbles.
You want to press in
and twist
see Cresson
twist and remember
you can layer them too
if you want.
So let's put in all of our
yellow bubbles.
That was pretty bubble refrig.
That's a lot of bubbles to pop
a lot of points that you can
get to build your house
very very ferry.
All building houses.
All right. So the next thing
we're going to want to do is to
read. I don't even rinse out my
sponge from here.
I'm going to go right into the
red with the yellow on my
sponge because I find the combo
of the red in yellow helps
sort of shade
my bubble for me before I even
put the reflection on.
So you see how loaded that
there.
Let's come here.
And again following our river.
Hounsou in.
Our red bubbles.
OK.
So here's a painting trick that
was a new painter might not
know.
Red.
In green.
Kind of a gray color which is
fantastic if you're like
something you know
that you want a brown color but
if you want your green to be
vibrant take a second
and try your painting right now
and rinse out your sponge.
Are you feeling Bubblicious
still
feeling pretty bubble Rafic
myself.
All right so my next step
is going to be the blue.
Now send Stella has
her beautiful blue coat
and a lot of purple in her hat
and Booster's just a lot of
blue on her because she's a
good.
I have to make sure that I
don't get too crazy with the
blue bubble so that's my tip
and where I'm going to have
her. I'm going to be a little
later with some she's going to
be mostly focal here.
So they are my blue bubbles
will be focused here and maybe
here but a little bit lighter
through here.
So I don't lose her in a
loose stream of bubbles.
All right. Let's load up our
bresh for blue bubbles.
So I come in and I twist
not a brush. That's pouncer.
But the other thing that I'm
going to do is to get some
white paint right.
That's going to really help my
blue really show
it's really loaded.
Let's put in some blue.
Still totally bubble Rafic.
I'm ready to go green.
Are you ready to go green Let's
go green now.
In my green.
I'm going to definitely
definitely use some yellow to
help right in this dark green
so that it's bright like the
bubbles in the game.
Once you have a stream of
bubbles that makes you super
happy and when does the stream
of bubbles not make all of us
super happy.
Take a deep breath.
Because I'm going to show you a
really cool trick that's going
to make these bubbles look a
lot more realistic than you
would expect.
You ready.
So once you're ready to put in
your reflections we're going to
turn these from dots to bubbles
and we're gonna do that with
this fun tool here.
This is a number six studio
break.
It's small and
you can see like compared to my
next stop that big I'm going to
take a little bit of white just
on the edges here
or just on the edges and I'm on
a come to a bubble over here.
I'm going to pick this green
bubble.
I'm going to make a curve
stroke for a reflection.
Let me show you a couple more
and then we will
put reflections on all of
our most exposed bubbles.
Here here let's load one more
time
so pick bubbles that you can
see clearly and you're going to
put the reflections on the
right hand side traveling up.
And if bubbles are distant far
away make that make the
reflections super light like
this.
And if the bubbles up close
make the reflections stronger.
Let's have reflections to all
our bubbles. Now.
Well that's pretty fun.
So they went from being little
dots to being bubbles with just
a reflection.
I hit the bubbles that I could
see par that would be
reflected.
I didn't necessarily hit every
single dot I made.
I thought the reflection would
be hidden by the bubble in
front of it.
So it's just something that you
can do it's a lot of fun.
Let me show you how you can
transfer the image onto the
canvas if you're not really
ready to draw it on right now.
Remember drawing is just an art
skill you can learn that at any
point along the journey I don't
want that to be a reason that
you don't paint so feel free
to use or traceable.
It is absolutely not cheating.
It is a skill and art that we
all have to use from time to
time as creative people.
Let me show you how it's done.
So take your transfer paper
that you made. I have rubbed a
pencil on the back everywhere
that I have a line really hard
to leave a lot of graphite.
I'm going to take my paper and
I'm going to place Stela
where I want her.
Now I want her slightly over
from the stream and
I'd like her to be
a couple of inches
from the bottom so that I have
room to make the reflection
that she's going to be standing
on and how I'm going to
get this on first is I have
to fix this onto the canvas so
it doesn't move.
That's the number one thing
that messes with people when
they're doing a transfer is
they're trying to transfer
paper that is not six
down.
I'm using low tack tape.
That's like the kind of tape
that you when you're painting
your house or something that
you would use and it just isn't
going to rip any of my paint up
for my painting.
Now I'm going to take a nice
hard pencil or pen
and I'm going to trace over
every line with
it to transfer the graphite on
to my painting.
When you're done with your
transfer check and make sure
you're happy with all the lines
before you remove the transfer.
If there's a couple to darken
so you can keep seeing it go
ahead and do that step.
Now.
So. For this next part when I'm
painting in the figure one tip
that I want to give you is I
paint with a professional pain
and it has a ton of pigment in
it. Very high coverage.
But sometimes when we start out
painting we're painting with
student paints or beginner
paints because that's the best
fit for a budget.
Just something to know
sometimes those paint have
trouble covering darker colors.
So the trick to fix that is
to paint your figure in white.
Let that dry completely
and then go I hadn't painted in
as I'm doing now.
So if you're using a student
paint. Go ahead and do the part
where you paint in your outline
way let that try and then
meet me at the part where I'm
painting the figure at.
OK.
So I put out a couple new
colors on my palette.
Let's look at those and see
what they are.
I've added the burnt sienna and
I've added the Mars black and
Amber fresh. Any of the colors
that I'm out of I'm going to
take a small break.
And in this case this
is the number six bright
and I'm going to use this to
start paying my figure the
first thing in the paint in is
the hair I'm getting to take a
little of my burnt
sienna and a little of my
black.
It doesn't take very much black
to darken your brown
and if you need to add a little
water to improve
the flow of that.
Go ahead and do that.
And I'm going to paint in the
hair nooning in the hair
section now
just the shape of my hair.
I'm working the edge of my
bristles and I press
kind of hard at the beginning
of my stroke and then I release
at the end.
And that's kind of how I'm
going to get that feeling of
loing when the hair
also the direction of my stroke
is going to matter.
I mean it comes from under the
hat.
In brush the flow
of her hair that I imagine that
she's going to have where I
want a thin line.
I'm going to paint on the edge
of the brush and wear a thin
line. I'm going to paint on the
width of the brush just
keep painting that out.
Lending her longer hair because
as the game went on her hair
darker living longer
hair
definitely blow into this wind
because clearly there is a
breeze going on here given the
bubbles in my
brush
and mom added it I'm going to
also just take the brown
and the black again
and mix them together.
This is a small detail round.
This is like a size zero.
It's really nice.
I really like it and I'm
going to paint in
the wind with the brown and the
black just falling along
the twinkly bits
and I've traced in
green because she's got a lawn.
We'll be doing her power up
there at the tip at the end.
Going to be really cool to want
this to feel like a been bobble
branch.
Make sure her hair is flowing
out nicely from her hat.
The other place I could put a
dark colors I might get a
little black.
Just real fast.
And I'm going to come under her
heel
and might even add just a
smidge of white to the gray
to the black to make like a
grace. It's just a small
amount.
That way when I paint the part
under this part of the heel
it's a slightly different color
that will help them feel like
two different values
you can't really see the shape
of the foot.
And they get a little more way
onto my brush
come along behind this
instead this gray really
helps it become the hill.
And a little booboo there.
So what I'd like to do when I
have a Bubu So
I just sort of like erase it
with my brush
pretty much anything in acrylic
paint Once the paint underneath
is dry.
Sensage take that and
get rid of my boo boo.
It starts on most things
because everything in acrylic
paint is really thinkable
when a little more black on my
brush.
And I'm going to add
to tread
to her Dorval that I really
like her boots.
You painted with me for a while. You ever did my girl
Noreen.
You know I like some boots.
That's pretty good.
The other place I can add a
little bit of black lining.
I'll still have to go back and
do it at the end.
But it will help me
get in this little bit now.
And this is easy for me to do
because I have a small detail
brush. See what a fine line
this brush makes.
That really really helps me.
The other place I can put this
is just
add this to the outside of the
leg.
I may have to do this a couple
of times but it helps me not
lose my legs.
During the paint in process as
well
across the top of the boot
on the outside edge
on the back of the leg.
Now I get a fine line is I'm
not pressing very hard.
Just on the tip of the brush
here. So see I'm not going like
this. I'm going like this
just on the edge of the brush
kind of like eyeliner real
similar process.
Right.
That's pretty good. I'm a
little brush to the side
and I'm going to grab another.
This is a number two right
get some water
and I'm going to take a little
of my Kronecker now.
And mix it into my
purple skin
and make kind of a reddish
purple I really like it.
Add a little weight to it
blazing like what if I need it
because my pain strong
in paint. First the brim
of the hat.
So again if you're having
problems getting your paint to
cover the paint underneath the
colors underneath it's probably
just that it doesn't have
enough pigment.
Now I take that term to paint
things. Wait
and let it dry
so you can get those bright
colors.
So I'm just mixing the dogs in
and the magenta together.
Painting in her hat.
He's painting the hat.
She's a really fun hat.
The suit hat is one of my
favorite things about her.
She's really good at
as a person who appreciates a
really good hat.
I'm going to add a little more
weight into this mix.
And I'm going to paint them
me.
Of her hat.
It's going to be a little bit
later and we'll have to shoot
it out later but it's going to
help you keep track of what's
cone and what's Brem.
And this is going to need a
couple of layers of paint and
the ways to look finished and
resolved.
So no harm
leaving room to come what a
shadow.
And later.
So where I need to get more
control over where my paint
goes you'll notice that I work
the edges of my bristles on my
brights and then when
I need to fill in a big area I
go to the White of the brush.
If I me if I'm having trouble
getting paint flow out a in
water and I swirl around
like that. And that improves
the flow of my pain.
I do too much water comes like
watercolor cover stick.
Those are the things that
you're bouncing out
when you're painting.
Other place that I have purple
is on the some of the grits
with this purple
and I'm going to come down here
to her boot.
This is again a place I'm going
to need a couple layers.
Well paint inside my mind
because again if I have to come
back and put it back in I don't
mind.
That's good finishing work to
be able to do in painting.
Painting in her boot
will come in here.
Her
dip in the water and swirl
around if I need it
in this case I do
worry.
Here we go it's
fun to paint the boop purple
and add a little white
on the top of the boot
will be lighter for.
If you're painting and try to
go ahead and you're painting
with the hairdryer real quick
to dry your hat and your boots
you can finish the.
Bubbles. Tell me it's time to
go ahead and wrap up these
boots and let's do that.
All right. So I've got my purse
over here my quite accurate on
in my weight and I need to make
some highlights and some
shadows.
So first let me take a little
of this blue right here over
to my purple and I'm going to
make a deep cool shadow.
This is going to be a very dark
color and I'm going to
come to the underside of my hat
like this and I'm going to just
come on the edge with my brush
and outline to about here
on the hat to about the halfway
point.
Come along the back again just
on the edge of your brush
following the outline
from the tip.
In following these lines.
Now I have this outline here.
What I'm going to want to do is
brush up
a shadow see how I'm doing now
I'm brushing up this shadow
says that dark part of the hat.
Acrylic paintings look crazy
for a long time
until they stop looking crazy.
So your only job is to
have fun.
Take deep breaths.
Paint along with me
and know that the painting is
going to work out as long as
you fall off.
Now notice I'm leaving the
light purple on the top and I'm
just creating this little
shadow shape here.
Already there has some more
shape I'm going to dip my brush
in water.
Come here and swirl around to
improve flow because it's
drying out. Ami and
I'm going to come underneath
here
in about
halfway up the brim too
I'm going to brush this
darker color on
this is the deep shadow.
Pernik cool.
Now I'm going take my purple
over into my magenta mixture.
And this time I'm going to
really put a lot more
way into it.
Going to be a very light purple
when I come around the edge of
the brim.
I'm also going to this is going
to be about I'm pressing very
lightly and I'm letting
the brush just softly drag
I'm learning some of the
painting show through
underneath. You can see how
it's just like a dusting.
This is called dry brushing.
I'm just letting this
described the hat that
that loves those two layers.
Now I'm going to get even more
white paint brush I
and I come along the top of my
hat
and a brush is a highlight
around the brand and see how
that suddenly takes shape.
You created a light source
which is up here and you're
highlighting the top of the
hat.
And so therefore it starts to
feel kind of interesting and
round.
All the way to the edge.
You can even put some of your
high highlights in the brim if
you want to improve the
ceiling or the hats being wore
out like that.
Now I'm going to let that dry
rest first. And I come think
about my boots and warbled
satchel brush.
Let's get back into that shadow
color which is the blue and
the purple together.
Now this time I want to be a
little more purple
than blue.
I might add a smidge
of white to it and I'm going to
come along the boot on the back
side on this right
hand side and swoop over
with my purple shadow color
looping around the heel
other place that can have a
little bit of this along the
edge there.
It's one that's nice.
A little more here we come
back side here again
swooping forward
maybe a little bit on the Hill
and get into your late color
adding your white to it over
here.
So is your light purple
come to the left hand swung
side and swoop right.
So put this here and swoop this
right
see how suddenly
as you come down here I'm just
doing a little light dashing
strokes to have control if you
have to switch to your small
detail brush you did the lining
with to work small
areas. Never feel bad.
And here's a little trick.
I'm going to come on the Hill
and swoop a little bit further
same color this side
read on the Choe
starts with your back
and little all this color
to the front.
That's pretty cool.
Marie
now here's a trick I'd like to
wipe off my brush but not
rinse it.
Come into the White. What
happens is the pigment on my
brush will get right into that
white paint.
I'm going to make sure on the
heel
sweep a little highlight
coming from the left hand side
across it.
And just a little extra here.
She has to help these boots
help pop
is going to give him a little
pop
now.
Pretty pretty spectacular.
We're going to do our white
lining in our black lining
last.
So you can win all this rest
for a little while. Let's get
some hair thoughts in here when
we come back into my brown
and get my glazing liquid or
water whichever you need to
just to improve the flow of it.
And I'm going to come in to my
hair again.
Just add
some thin flowing strokes
to improve the density
in our hair.
So we want her to feel lush and
deeply colored
in those two coats will help.
I'm going to get a little white
on my brush and mix
that into the brown
woman from here on my
would just make a little
highlight of my Would
feels Woody.
When set off my
last trick is to take a little
my yellow
and my brown
a little white to it
and make kind of like a little
knot
right here
some wood green
just a little bit and see that
I'll make that all pop.
So that's looking pretty good.
Now
skin tone is
going to be kind of challenging
and I want you guys to be just
super relaxed with yourselves.
Also remember I have a video on
skin tone that you can check
out any time if you want a
different kind. So there's a
lot of ways to make this really
easy. I'm going to show you one
fun easy mix that's perfect
for Stella.
So I'm going to come over here
and take a little of my
Kronecker down to the side and
I'm going to add a smidge of
yellow to it.
See this right here.
So it's like a little
bit warm but still quite
pink.
Now I'm going to wipe
off the extra paint on my towel
and come over to my way and
then I brush this brush
into my paint.
You're going to notice that
it's a very soft skin
tone. Pink
going to take this soft skin
tone pink and paint her are
you may need to do a couple
coats if you haven't painted
your figure white
don't feel weird or bad about
that. That's OK.
If you want it to be a little
pinker you just pick up some
of your pink pigment
you've got this
merry go her arms Paignton
or in South brush
and let's put in the basis for
her leggings which are super
cute.
Everybody loves stripey legs.
You guys are always asking me
she had to do which are very
straight legs so this was
completely fortuitous and
perfect for us.
Was it bad.
I really like her leggings.
I'm going to make sure of a
little bit of white pulled
aside and get a little yellow
and I'm going to make a duck
yellow color.
I'm going to go ahead and add a
little water and swirl around
some nice flow
and I'm going to paint in
everything that's leg even I'm
going to come back with some
purple for her shorts.
I'll do that when I'm putting
in the blue stripes.
Now remember if you lose your
blackline don't worry we're
going to come back in line
again.
The very end.
So it's no big deal
you guys are doing OK.
I can't wait to see all
of these gorgeous cute adorable
which is our on social media.
We have to show me what you
guys paying.
The super fine.
Because this is yellow Let's go
ahead and try and give it a
second.
That's something you can always
do is give your pain a second
coat if you're not loving the
coverage.
We'll get some more white
just making sure.
She has the gorgeous
leggings that she does in the
game.
Orderly. Interested to
know if you guys play bubble
which.
If you ever tried that.
Definitely let me know in the
comments below.
Now if you feel like a her.
I do a good job.
Looking pretty darn good.
I feel.
Still got to give her a leg.
You know.
School shorts.
Everywhere.
Short Skirt school shorts so
definitely going to put that in
to work the
check your skin tone if
it needs a second coat.
Go ahead and feel like you can
put that in.
Now we get to paint.
Her spectacular gorgeous
awesome coat.
So going to start that with our
dark shadow color.
I'm going to take my blue.
Over to my purple
get my brush and water just
sort of swirl around
to improve flow.
And they come and
very carefully
outline
what I have in my traceable
I'm going to take my purple
across because her belt is
actually purple and I
give this is the base color for
her belt.
I'll come back with the bright
purple later.
Once I have her in I'm
going to start putting my
values in and I'm going to
start with my shadow which is
down here.
So I'm going to get my blue but
I haven't rinsed out my brush
and I only get a smidge of
white but not enough
to make this light blue because
light was going to be the
highlight and them
and they come to the bottom of
this fabric
first paint in
this dark blue and using
this number to break.
You could use a small detail
around whatever brush you have
a lot of control with.
See you feel like you're OK.
You keep painting that color.
Well up here at the hip
wash some of that over
there's a lot of layers to your
coat to give it this rich blue
feeling.
But that's nice because that's
a lot of paying time for you to
be relaxing and chilling
and enjoying yourself.
When I come here and I'm going
to make sure that I
within the shadow of the fold
put in the shadow of this fold
this is going to be a dark
blue.
And it's going to show that her
coat has blown over
and these are the folds of her
fabrics folds of fabrics are
done with highlights and
shadows
and so they're pretty easy to
get in.
And I'm going to put a nice
deep shadow
here I'm going to brush up
along on this fabric here.
Making sure I have a shadow
is dark.
Long hair.
Well of course under her hair
backed
swirling around with my water
just to improve the flow.
Filling this in up into
the shoulder
some of the sleeve here.
We may be a little bit rounded
in the arm. See that there
that's Chatham's pulling in
from the left to the right to
do something kind of
interesting herem the
closes part of her sleeve
that's billowing away.
And then right here
where this FULDE is and it's
like her jacket at this stage
should be taking some shape
prior
where you're starting to see
how the folds are working.
And in some shuddery here
coming along the top of this
rise
pretty easy stuff.
Now that I have that I'm going
to get my pain out
swirled around.
I'm going to have some white
too. This is fantastic.
Is she coming alive for you.
Are you feeling like she's
right here with you.
Going to pull this highlight
along the edge of that fold
edge of this fabric here
and pull this down.
Very softly softly
pulling it down.
Tools pulled down.
Little ball hit here what's
going back.
Things like this down.
Get some more of this color
from just the outside edge of
that full
along the top here.
We're going to curve these
brush strokes around and down
tell the story
just plonked down
totally have this.
You are going to love this when
this is on your wall.
People are going to like what
you painted that way.
I love that game
so game
you start a conversation.
Talked about in game home
improvement
very important stuff.
Do you want to have at home.
I know.
It's an option. You can have a
really cool adorable houses
trees with faces.
It's
we're just painting the
Highline on the shoulder here.
And then I'm a driver of this
lightly into the back.
You can see how that starts to
create the shape of the figure.
And it just takes a few layers
to build something like this
but it's doable even if you're
new to a painting.
Right on the top of the coat.
Bringing this down.
OK. I'm just adding wanked
term mixture.
Again the skirt
making sure I'm keeping my
shadow still
have a couple of layers to go.
So don't worry.
It's feeling like it's not a
perfectly smooth paint coverage
at this stage.
It's not supposed to be Kralik
paint layers up
here we go layering it up
right along the top there.
So you can see now how you've
got a highlight highlight
highlight shadow shadow where
the shadows and highlights have
started to give her coat
this fabulous folded shape
you've supergoddess.
It's come into this sleeve
now at this point
are yellow. And
if you touch it should be dry
and you can then come
across the legs
and just make a really fun
straight.
Remember you can open your game
and look at the character if
you want things to be exact
exact exact
you know if you're like oh my
gosh stript place super
important worry about that
you can get that exact
reference material
or it might come above the
knee.
One more stripe in
above this I'm going to have
to have her have her little
shorts on.
Now I'm going to make sure my
stripes look good though.
Your stripes look good
OK.
Looking good looking good
when it gets on my purple
shorts.
Subtle clutch guys but it
matters.
Now you're like oh she's a
classic
saving the world rescuing the
animals putting bubbles
in
wearing too short of skirt.
Yala
I'm just making sure my stripes
are how I like it.
A little blue and white
together and I'm just making
sure they look good.
Now I have this make sure I'm
going to get a lot more weight
on my brush. I've got blue on
it a lot more
weight than I'm
going to come to my sleeve and
I'll pull this over.
From the outside. Maybe a
little bit gray here.
Pop up this fall
should be quite late.
Light light Skyblue
just try brushing that down.
Now I'm in a slicked back and
forth on the way C pointed
down I'm playing this fabric
folds
across the top here.
Using the edge of my brush
it's really fine to paint
fabric.
She's really gorgeous.
My gray hair.
It really awesome.
Love this
noone come with the edge of
your brush
right.
Different
merry go
wait.
The front of that fabric and
see how that helps at Pop
and Minkow along the front of
this fabric alge
dry brush that in
starburst that
car hey look at her just
to bear any area
like manner.
Live coverage there.
Just take your dark dark blue
you like know your shadow.
Let me show you why and come in
and you can work that again.
See
super easy to get your purple
and your blue again.
Put chateaus backs it just
don't feel like you can't go
back.
Make sure
that your shadows are where you
want them to be saying
no and here
and knows you're not
going to be sorry because you
put an extra layer on
neck to be sorry
you're so proud that's what
you're going to be like
practically magic
pull that nice shadow up up her
skirt.
How that proves the full
woman and highlight.
So I have my brush with pigment
skin to get a lot of white on
there with this right at the
shoulder
down the arm.
Full that on very
just at this top one here.
All right.
So now we get to
do her hair which I think
is a lot of fun.
She's got a lot of shape she's
kind of floating in space.
We're going to resolve that.
We're going to give her some
Mining's.
She looks super sharp when
she's out there popping bowls
and saving the world and
going to make you feel really
great about what you painted
today.
Feel the magic.
Do you feel the magic of the
bubble.
I feel the magic
of the bubble.
OK.
So.
So what I have here is
my nice had red
mean it's a bright red
and gorgeous and
it's a very powerful color you
could use any reds you have
though. Right.
We're just going to come in and
we're going to give her some
red highlights on her hair.
She's magic.
So here we go pulling
some of those out.
So Brown in her hair.
This makes it kind of a
gorgeous oper
that's going to be like
Herr's Jolie about the shadows
and the highlights. You're not
really painting individual
parts as much as
shape and value.
Super fun stuff.
No but I like to do
is add a little
yellow to the max see you
get this bright color.
Then come in put in
just a little highlight.
The sun is catching her tresses
so you can really feel the
energy.
You can add a little white to
say here at the edge where I'm
just like glimpsing that
sun where
I can feel her.
She's pretty spectacular.
Renting this out.
Getting my detail brush
I've got my black paint out.
I'm going to put out soft body
white paint book crap paint
is soft body.
Right. Heavy bodies just about
how much structure the brain
has when you put the
brushstroke and whether it's
self-leveling.
So I don't need a lot of it I
just need a little bit because
I'm going to come in and do a
little white lining and a
little black lining to define
some of my stuff.
I think that Kiner will resolve
a piece like this.
And so first I'm going to get
my white paint on my little
detail brush here
and would come along the top of
my hat and create some
character
Mary
truly magical Hach always have
tons of character.
This little Haile is really
going to help her hat pop
can make a lot of difference
when you're opposed to people
like it's new.
Are your really good.
So are coming in here.
We're just going to where it's
in the shadow We're going to
make the line very thin.
See how I did that
I might come here in
some of these energetic lines
around her hat.
That's going to help shape that
then oh
a little bit right here.
All cross your belt will have
to come back and a higher
purpose if this isn't purple
enough but ours just happened
to me really purple so that
worked out.
Little on the outside arm.
Sometimes you do have just
little happy moments that work
out you're like wow that was
perfect.
A little bit there.
See we're just making that
extra layer of
definition and value.
And since we're painting you
know we're being magic right
now ourselves we're painting
something that's three
dimensional on a two
dimensional surface
that's a little magic.
Just doing the top edges here.
Maybe a little bit down a side.
Yeah. Just a little bit there.
Come the front of her leg.
That's where her highlight
would be
and I'm going to catch her
boots too on the front hand
side.
Coming up boot a little
character a little definition.
Round the front.
That's the hole in the back of
the heel and maybe a little
blurry here. So I can really
see it.
So the other place that we can
put some really nice soft body
way is up here at the magic
spot where the magic is coming
out of the wand.
And what I recommend is making
a straight line going up.
You should call your brush away
from the canvas to get the line
to taper
a coming out
now the line coming in
and some coming down in we're
going to fill in this sort of
star
with these little radiating out
strokes.
Make some of them longer.
Some of them shorter because
this is the power emanating she
is about to like zap some
stuff that's happening
and then man it is on.
Now I'm going to rotate my
hands down.
Because that's where I'm going
to have more control and
strength in my hand.
And then I'll rotate it back up
I'm trying to get the other
side. Now I'm going to get some
blue jeans right
on my Bresch
lots of blue
and add some blue energetic
power
to her magic wand
stroking out.
Sometimes I like to even go
back a rinse out.
So I have that blue in
and then go back with another
little bit
the white just to create some
little value.
Me an all star out.
So she's powered up
if you lost any of your black
lines.
Go I had in very carefully
with those Back
then all we had to do is put
the ground she's standing on
and she is ready
to go out and save everyone.
But when is she not.
This one I'm not playing.
But then you have her so you're
saving everything
all right.
OK. And then here is the boot.
Just all nice and outlined
a little bit on the back for
the book.
She's fantastic.
All right. Let's
get some ground and our girls
feet.
Ray you ready.
I'm so ready to some ground to
stand on.
We all need a little ground to
stand on.
I'm going to get my break back
out to the Mobil's
back into my number six here.
You get all wet in the water.
First time to get a little
black and a little blue
lazy me if I need it.
And I made a little line
with my pencil that was level
underneath there because
I'm going to apply that.
She's standing on something wet
and something to make this very
soft fine wine
just what the edge of my brush.
If you mean it sick it wouldn't
look like how you want it to
just push very lightly.
I'm going to just gently
brush out reflections
on this ground that she's
standing on in this magical
universe.
I'm going to keep my brush
strokes actually pretty level
and that's going to help give
me the effect.
One thing that I sometimes do
is flip my canvas over
because I don't have an easy
time working to the
edge of my easel
keeping my space level
so I'm just trying to go around
and make a
little reflective story back
and forth. And this is about
not letting my brush strokes
getting crazy or horizontal.
I want to go back and forth
and make some money even
these are reflections that can
go in front of the walls
trying to make a nice pattern.
Now I'm going to set
my brush
and I'm going to get a little
white in
a little blue
and see how this is like a bead
on my brush.
You're going to come here in
the center.
And some reflections.
Really works if you're Trendall
What's the street to.
Just.
Having a few of these on here.
Say.
SURFACE.
Like.
Can bring snow.
Wow.
Or you guys could have hoped
that you did this. I know this
is like a really fun time to be
doing it. I had a great time.
Let's give her signature so we
can say we're done.
We're super happy.
I'm going to put my signature
and you put yours.
Cannot wait to see
your.
Versions of this painting.
Please do share them with me.
I think it's so exciting.
Be good to yourselves be good
to each other. And I want to
see you at the easel really
soon.
Look on those bubbles.
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