Wednesday, August 22, 2018

USA news on Youtube Aug 22 2018

Hi guys, today I'm going to be talking about my meetings with agents and talent managers

in LA.

I am gonna give you some very useful tips and guidance and I'm just gonna make sure

that your well prepared for whatever's gonna come your way and you're gonna be successful

with your adventure.

I think this is gonna be helpful if you're coming from anywhere that's outside La,

whether that be another US state, or Europe, or the UK.

So, let me get started In my mind I had two very different meetings that I had so I can

kind of balance those out and give you an overall perspective.

With one of those I walked into one male talent agent on his own in the office, which is what

I would expect, which is what I would have in the UK, most of the time, in the other

meeting I walked into a meeting of five different talent agents, they all had their own stuff

to say, they had their own opinions, they also had a conversation amongst themselves

while I'm in the room about me, they also had there office dog running around

the place.

So, I would just say you definitely have to be a hundred percent confident in what you're

going to present and you have to know yourself Because when you have ten eyes on you and

the dog it adds a whole nother layer of pressure.

The similarities I would say with both meetings are I would say with both meetings is that

If you're coming from outside of the US All of the agents that I've seen want you

to have your visa, your 01 visa or your Green Card, already on the table, signed, sealed,

delivered and sorted out.

So, if they see any sort of sign, that your still in the process of, or its not a hundred

percent gone through yet, or worse yet you haven't even started that like know of a

no go, like for them that like cos Because there's a hundred, two hundred, three hundred,

other actors from the same country that your coming from who are already coming with their

papers sorted out.

So please go in there already having your papers like done, your attorney sorted out,

it paid for, everything.

Another thing I would say is that if your coming from Europe or If you're coming from

anywhere in the world that is not the US they want you to be able to do an American accent

flawlessly Not just a standard American accent that is not enough, Most actors around the

world the world can do a standard American accent, so they will be asking you for two,

three, sometimes even four different like regions, like different kinds of state accents,

so you need to make sure before you walk into that room you have you have your Standard

American accent, you have a Southern American, an East Coast, and maybe like a mid-western

or something, but you need to have at least three different American accents Down in the

bag, like syllable for syllable, word for word, perfect, flawless, as well as your own

accent wherever your coming from.

Erm.

Another thing that helps if that on top of that is if you can speak fluent Spanish, that

is gonna be great great great for you.

Erm what else Make sure you have your cold reading skills on smash a lot of these places

when you get there they like to just hand you a piece of paper and go do that because

They don't want to see the monologues that you have been preparing for the last two weeks,

the last six months the last year, you've done a thousand times they wanna give you

something new right in front of you, like, A cold cold read, not a cold read where you

have five minutes out in the hallway to look at the paper like read that, And read that

in this other accent.

So before you start approaching these agents make sure your confident a hundred and a million

percent there, Make sure that you've met with your accent dialect coach a number of

times and that whichever accents that your gonna choose to specialist in, you have them

up and running.

And Make sure that you have your visa signed sorted delivered.

Don't expect there to be one person in the room, because on a few occasions there's

been more than one person and don't allow the fact that the other people in the room

are not watching you, they are on the phone, they are you know running around doing whatever

they have to get done and there is certain times when there just piping in adding their

ten cents Don't let that throw you okay, erm so yeah make sure for the agents and managers

you approach you check them out Make sure that they are legit as there, as there are

a lot of bogus people put here, do your research look on IMBD pro, erm check out the website,

talk to friends that you know in the industry is this person legit?

Do all of your research Know wo is already on their books, who is doing very well on

their books, who might be similar to you, or who maybe different than you, make sure

you have some questions that you want to ask the agent that you have prepared for yourself

which are genuine questions, which are specific for that agent And know why you know why you

that agent to represent you, and make sure you also know what that agent can do for you

because you don't want to go with an agent who, just for the sake of going with an agent

like You don't want to be client 500 on somebody's books and then never get called

in for anything Because that agent is focused on their top three clients that are making

them a whole lot of money.

It is much better to go with a smaller boutique agency especially if you're just starting

off or you're in a place were your not booking co-stars yet and like you know, your still

in the running of things.

I hope you found that helpful if you have any comments drop it in the comment box below

if you liked what I had to say share it with your friends, I'll be back next week, bye.

For more infomation >> How to Prepare for Talent Agent Meetings in the USA - Duration: 6:13.

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How To Read Micrometer - Duration: 5:50.

This tools for knife making video is on the micrometer. How to use it.

How to read it. That's what we're gonna cover in this video.

How to read a Micrometer

Very quickly, this is a micrometer. This is a precision measuring tool

To measure wear on parts mechanics and machinists often use these things, because they are accurate to ten thousandths of an inch

Very quickly about this tool

This is your handle. I typically hold mine like this.

This is your anvil. This is your spindle this little knob here locks it down

So that you can't lose your settings.

This part here this whole part that's turning that's called the thimble.

This part here with the numbers; the graduations on it. That's your sleeve.

This little dude back here this is a clutch, called the ratchet stop.

Called the ratchet stop.

This is how you get repeatable

feel every time that you measure

So this handle here has been threaded at 40 threads per inch

Just like this number four by 40 socket head screw.

Screw and I know that because if you take an inch and you divide it in to a thousand parts

If you take one inch

divided a thousand times

Divided by 40 you'll have .025

that means that one revolution around should be .025

We started at the zero. We come to the zero again, and you'll see that we've turned .025

25 thousandths of an inch

The Sleeve

So every time we turn the thimble all the way from zero to zero that's another .025

And you can see that here on the sleeve?

Reveal in these marks these marks are .025

So here these are .025 thousands.

.025

.050

.075

.100

.125 thousands you always want to read this sleeve first

So you always want to read these numbers first, these are .025

it's it's .025

It's .050

.075

.100

.125

.150

You always read these 25 thousands increments on the sleeve first

And then you add to that, what you have on the thimble.

On the thimble, these are one thousandth and a half

The Thimble

And these numbers on the thimble are thousands. So you have .001

.0015

.002

.0025

.003

.0035

.004

.0045

.005

You always want to read the thimble, from across this line zero.

From this line zero you want to read across from that?

And these numbers on the thimble you add these?

You add this number on the thimble to what you read on the sleeve?

So let's grab some feeler gauges real quick and I'll give you a quick example.

how to read this micrometer

So I've put .034 worth feeler gauges on the inside of the micrometer. Now we will learn to read this sleeve.

So you always start with to zero and then this first mark I see is .025

We're going to add to that what I read them to thimble

Already, I can see .005

So .005 added to .025 would be .030 .031 .032 .033 and a half

And then we have to come up here to to 10,000 set. The 3 lines up that is .0008

so that's

.0338 This feeler gauge is actually .0002 undersized .034

All right, just for example just so we can learn to read we'll Mic my scribe.

Try get centered up

use your little clutch stop to get the

I'm sorry the ratchet stop. Let's see. Now what this thing is?

So again, the first thing we're going to read is we're gonna read this sleeve

I can see a .100

.200

.300 I do not see the next twenty five thousand marks

We're going to say this is .300 and read on the thimble

It looks like the 15 lines up perfectly. So in this case, it'll read .315

So you always read these numbers first.

Then from this zero line you read what you have on the thimble,

and then you add the thimble to that.

Remember that these are .0005

This is .0005

Then up here. You would add these numbers here

to your .0005

Remember to always read the sleeve and the thimble and then add them up to get your measurement.

don't rely on your dial indicator.

Again, just to recap

You read the sleeve first.

These are .025 thousandths

.050

.075

.125

You add to your sleeve measurement; what you read on the thimble reading from the line zero.

There we go. I hope that helps you make better knives

Please subscribe, tune in. New videos come out every Wednesday

Knife related, shop related, or just something to that effect.

Thanks for watching

An American Knife Maker

GILLIANKNIVES.COM

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