BREAKING! Michelle's PERVERTED Secret Is Out!
If there's one thing Michelle Obama is talented at besides spending tax payer cash, it's
running her big fat anti-American mouth. Throughout the entire presidential election her vitriol
for Donald Trump was on full display, where she frequently used her position as First
Lady to put the Donald on blast. After months of flapping her trap, unfortunately for Michelle,
her own little dirty secret is out, after what Rush Limbaugh revealed on a live segment
of his show in a recent segment that's sure to destroy the former First Lady's "legacy."
During the election, Michelle used her position as FLOTUS to go around bashing Trump for his
"locker room talk," saying that she "doesn't know any men who brag." But Rush Limbaugh
recently exposed Michelle's words as a blatant lie, where he reminded America how Michelle
was all to eager to invite her cocky rapper friends to the White House in 2016, all friends
of Michelle who make quite a nice living with the vile and disgusting songs they write about
women.
Not only did Michelle's rapper buddies brag through their songs about having sex with
their "b*tches and hoes," but these rappers then performed these songs at the White House,
where Michelle be-bopped along to the tunes, even applauding the rapers for them! Here's
just a few of the "artists" that Michelle Obama widely applauded, whose lyrics all subjugate
and reduce women to mere sex objects for men. Via The American Thinker:
Rick Ross's, "U.O.N.E.O." glorifies date rape with the lyrics, "Put molly all
in her champagne/ She ain't even know it / I took her home and I enjoyed that/ She
ain't even know it." While Ross denies that this was his intended meaning, "molly"
is slang for Ecstasy, a well-known date rape drug, and the context of "molly" in his
lyrics shows clearly that a man put it into a woman's drink without her knowledge or
consent so he could have sex with her. Ross' "Same Hoes" consists primarily of the
F word, a variant of the N word, and "hoes."
Common, whose "Go!" includes, "And a ooh baby she liked it raw and like rain when
she came it poured" along with a variant of the N word and even more sexually explicit
lyrics.
Jay Z, who proclaims, "I've got 99 problems and a b***h ain't one."
Michelle Obama called out Trump's remarks with the words, "What message are our little
girls hearing about who they should look like, how they should act?" Nicki Minaj, another
rapper whom she and her husband brought to the White House, answers that question in
"Hey Mama," "Make sure mama crawls on her knees keep him pleased rub him down be
a lady and a freak" and also "Yes I do the cooking/ Yes I do the cleaning/ Yes I
keep the nana real sweet for your eating/ Yes you be the (boss) yes I be respecting."
Beyoncé's "Partition" includes far cruder and more explicit language, whose sole
redeeming virtue is to remind everybody that Hillary's husband actually did what Donald
Trump talked about. "He popped all my buttons and he ripped my blouse/He monica-lewinski'd
all on my gown," to which she adds, "Hand prints and good grips all on my ass."
Unfreaking real! This woman hardly has room to judge Donald Trump about his "locker
room comment" that he made in private, when she openly celebrates music artists who make
their entire fortunes for the vile and disgusting ways in which they subjugate women. Michelle
needs to immediately dismount from the high horse she's gotten so accustomed to parading
around on, and take a nice long look in the mirror. To throw Michelle's comment about
Trump right back in her face, "What message are our little girls hearing about who they
should look like, how they should act?"
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